Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Saturday, March 30, 2013

When it’s Time for a Writer to Take a Break




A break. A vacation. A hiatus.

Every writer needs one now and then, but there never seems to be a good time to take one.

There's always another author event or book signing to participate in, another social media avenue to explore, or (shudder) another book to write.

And yet writers who do not take a break even when the going is good run the risk of burn out or going full out psychotic.

"Danger! Danger! Stressed out writer kills 11 at coffee shop and chains self to espresso machine."

Okay, that wouldn't really happen . . . maybe.  But taking a break is crucial to creative success.

This post marks the second anniversary of this blog (yay, me!), which makes as good a time as any to announce a hiatus.

How long will this hiatus last?  Not sure. However, there are many things I have left to explore and many more to come now that I've published my first novel, The Power Club™.

Some of the things I have yet to do include printing and selling physical copies of the book and updating and promoting the Power Club's own website (you can take a look at it here).

Then there's the possibility of a sequel, as well as other creative projects.

2013 is gearing up to be a hectic year on both personal and professional levels, so it's probably a good idea to take a breather while I can.

And while I've enjoyed writing The Semi-Great Gildersleeve on a regular basis, the weekly grind does get to be a bit much. I must say, however, that this blog has been beneficial in so many ways, including:
  • being able to exercise the discipline of writing a blog every week.
  • exploring a range of topics related to writing fiction and particularly writing super-heroes
  • watching my list of followers (now at 20, not including me) and page views (now over 11,000) grow--thank you, everyone, for checking the site out!
  • and being able to promote my work while sharing what I've learned along the way.
It's been a little over two and a half years since I embarked on the journey which led to the creation of this blog and, ultimately, to the publication of my novel. I couldn't have done this without a very supportive network of talented writers.

Some are members of the Monday Night Writers Group, the critiquing group of which I'm still a part.

Others are part of the "umbrella" group, The Kansas City Writers Meetup, which is still a vibrant and expanding community of writers.

Still others include bookstore owners, fellow professors, and artists who have given me insights and encouragement.

Thank you, one and all, for making this one of the most exciting periods of my life.

This is not the end of The Semi-Great Gildersleeve . . . only the semi-end.    


Saturday, April 28, 2012

"Would You Like Fries With That Murder?" The Thin Line Between Heroes and Villains

Here's an oldie but a goodie.

Back in 2003, I joined the Kansas City Comics Creators Network (KCCCN, later mercifully shortened to CCN)a group of enthusiastic artists and writers who were devoted to publishing our own work independently. The CCN eventually went the way of all things, but not before publishing a number of works, including three massive volumes of an anthology series called Show and Tell.

Show and Tell # 1 featured the first story I ever had published. It was also my first collaboration with an artist.

The artist was Travis Fox, best known for the comics strip Foxymoron, which has run in The Kansas City Star. The story: a five-page ditty called "Would You Like Fries With That Murder?"

"Would You Like Fries" parodies the ever-popular dark side of super-heroes. Are heroes truly good and villains truly bad? Is there much difference between the two?

The twist? The story is told through the eyes of a former super-villain who is forced to make ends meet by slaving away as a fast-food employee.

Hey, even super-villains have to make a living.

Enjoy!







Story © 2003-2012 Greg Gildersleeve.  Art © 2003-2012 Travis Fox.

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Saturday, May 14, 2011

Gold Dust Revisited: Reflections of Self-Publishing a Comic Book


Next month marks the sixth anniversary of Gold Dust # 1, a comic book published by Golden Sleeve Productions.  Never heard of Gold Dust?  Or Golden Sleeve?  Few have.

Gold Dust was a self-published effort that was available at only a few bookstores and comic book shops in the KC and St. Joseph area.  Gold Dust was written by me, drawn by artists Mike Sullivan and Peter Cutler, and published by me under the Golden Sleeve name.

Last Saturday, I was a featured guest at Pop Culture Comix in Overland Park, KS, during the annual  Free Comic Book Day event.   I gave away copies of the ashcan edition of Gold Dust and sold copies of the regular comic.   If anyone who picked up a copy of either is visiting this blog, welcome!  I hope you enjoyed the comic.  Please feel free to leave your comments below.

In case you’re wondering how to go about self-publishing your own comic book, here’s how to do it in four (not so) easy steps.

First Step: Network 

In 2003, I joined the Kansas City Comics Creators Network, a rather loose organization of local comic book creators.  The KCCCN (or CCN, as it later became) held regular meetings, discussed comics, shared their work, and published three volumes of an anthology called Show and Tell (each one featuring a short story by yours truly).  Through the CCN I met talented local creators such as Travis Fox (the first artist I ever collaborated with), Shawn Geabhart, and my eventual Gold Dust collaborators, Mike and Peter – many of whom I am still friends with today.

The most important benefit of networking, though, was being around other people whose goals were similar to mine and who were actively pursuing those goals.  They encouraged me to make my dream real and showed me how to do it.

Second Step: Collaborate

I did not want to create my own comic by myself.  Comics have always appealed to me because it’s a collaborative medium, involving writers, artists, editors, production staff, and publishers.  I always wanted to focus on writing, which meant I needed at least an artist to work with.

Mike Sullivan had similar interests as mine.  We were both nurtured on the Marvel and DC heroes of the ‘60s and ‘70s (though he leaned more toward Marvel and I leaned more toward DC), so we saw eye-to-eye on what we wanted this project to be.

Mike turned out to have the skills not only to draw the comic but to assemble it on computer.  He also lettered it and designed the logo and all of the characters. 

Collaboration can be tricky for comics creators, many of whom are used to working alone.  In a separate article, I wrote guidelines for successful collaboration, but when you have the right person to work with, miracles can happen.  Mike’s enthusiasm drove my own and resulted in a finished product that far exceeded my expectations.

Third Step: Patience

Mike and I were both working full-time jobs (and, in the middle of our collaboration, I switched careers), so it took more than a year to complete the comic.  This is slow by most self-published standards, but we were both feeling our way around the process, which was new to us (though Mike had already self-published his own comic,Virtual Infinity Presents).  Besides, we were in no rush.  We wanted to get it right. 

One advantage of taking our time was that I had the opportunity to write a second story to fill out the issue.  The main Gold Dust story is only 17 pages long – not knowing how long I wanted a self-published comic to be and using other locally published comics as models, I deliberately made it short.  But as the project evolved into a full-sized comic book, I knew it needed something else.  So, I wrote a second story and asked Peter Cutler to draw it.  The result is a comic with greater artistic variety and story depth than originally planned.

One disadvantage of taking one’s time is that it’s easy to get side-tracked.  Mike, Peter, and I all had other projects going on.  (In addition, Peter moved to Georgia shortly before completing his artwork.)  It would have been easy to let the project fall away, as I’ve seen many other projects do, but we were clear on our goals and dedicated to accomplishing them.

Fourth Step: Printing

There are a number of printing companies in the Kansas City area which can print comic books.  The trick is to talk to several of them, find out what they can do, their time frame, and – most importantly – the cost.  This is also where networking came in handy:  many of the CCN creators had already worked with different printing companies and could offer guidance.

In the end, it cost around $400 to print 200 copies of Gold Dust.  The price was actually reasonable since we wanted a splashy full-color cover and high quality interior paper so the comic would look sharp and last long.

So that’s how you turn an idea for a comic book into an actual, physical comic book that you can sell and sign at events such as Free Comic Book Day.  Perhaps in a future post I’ll discuss the next step—marketing your work and getting it into to bookstores and comics shops. 

NEW! Buy GOLD DUST Now!






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