Writers: What to Do When You Feel Uninspired

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It’s been one of those weeks when, as a writer, you feel like you’ve been banged up and put away.

Your confidence is sagging.  A story isn’t working out the way you want it to.  A friendly discussion with an acquaintance has turned into a vitriolic debate.  Your students give you feedback that your teaching style (which you’ve been using for the last several semesters) isn’t working.  And “real life” obligations remind you there are things your writing can’t “cure”.

And now you’ve got to sit down at the keyboard and actually write something.

So what do you do when your inspiration runs low like the battery on your cellphone?

First, realize that writing has little, if anything, to do with inspiration.

That’s right.  Writing is a job, like any other.  Whoever heard of fireman’s block?  What would happen if a doctor didn’t feel “inspired” to help her patients?

Yet writers often feel they need to receive some sort of magical stimulation in order to do their work.

While writing can be stimulating, those of us who wish to get some compensation and recognition for our work must realize that neither will come if we wait for that magical creature called Inspiration to smile upon us.

As someone in my grad school once said, “Writers write.”

Period.

Second, here are four methods for kick-starting your inspiration:

Write through the problem.  Start by writing about the problem.  Acknowledge that you're having difficulty.  

Knowing that I’ve got to be somewhere else this afternoon and that my writing time is limited, I woke up this morning without a clue what I was going to write about.  So I took pen in hand and began writing about how my week went – including the difficulty of writing. 

Voila!  This method produced the post you are now reading.

Don’t wait for inspiration – seize it!  You are the commander of your writing “troops” and this is war!  Take action.  Now.

Get angry.  Nothing provokes a writer to action better than getting angry.  Anger leads to passion, and passion makes you want to do something.  

Can’t find anything to get angry about?  Turn on the news. 

Take your muse to breakfast (or lunch or dinner).   In his seminal book On Writing, Stephen King says his imaginary muse is a man.  Mine’s a woman.  Every week, my muse and I trek to a local restaurant, eat breakfast, and write.  (No, I don’t order for two.)

This particular restaurant is a little pricey for my tastes, but my muse likes to be treated right – and it works.  Many of these blogposts for the last two or three months have originated while my muse and I were munching on eggs, fruit, and Canadian bacon.

If it sounds a little odd to date your muse, deal with it.

Indulge your muse, and your muse will indulge you.

But does indulging your muse produce good results?  You be the judge.  (I will tell you that January was this blog’s best month so far, at least in terms of page views.) 

The old saw says that writing is 90 percent persperation and 10 percent inspiration.  If you wait for that 10 percent to come, you’ll slog through your writing until it loses interest for you, let alone your readers. 

To borrow from Admiral David Farragut, I say, “Damn the inspiration!  Full speed ahead!”

Leave a comment.  How do you kick-start your inspiration?

Are You Throwing the Reader Out of Your Story? Avoid Unnecessary Homages

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So, I’m wrapped up in the latest superhero novel. The storyline is exciting, the characters are engaging, the action propels me along. It’s a real page turner. Then my enjoyment comes to a screeching halt when the action shifts to a fictional country called “Lieberstan”.

Lieberstan? Sounds familiar.

Wait – wasn't Stanley Martin Lieber the real name of Marvel Comics head honcho Stan Lee? Stan Lieber . . . Lieberstan.

Ah, I get it.

Unfortunately, I “get it” every time the country is mentioned – which, since a major turning point in the story occurs there, is quite often. I can’t help thinking of the wisecracking huckster persona of Mr. Lee, who has been so successful in promoting himself as well as the Marvel heroes he helped create that he’s practically a self parody.

As a result, every mention of “Lieberstan” throws me out of the story.

Homages – references to stories or creators which influenced the writer – can be fun. They provide an indirect way for the writer to acknowledge such influences. They also provide fans with the fun of searching for “Easter eggs” and with a feeling of being “in the know”. If you get the reference, you can call yourself a true fan.

But the wrong kind of homage creates an unnecessary association or image in the reader’s mind. Such an image can throw the reader out of the story like a horse which has suddenly decided to buck its rider.

Comic book artists, for example, often draw covers that evoke famous covers of the past, such as that of Fantastic Four # 1. But such covers are meant to make the reader think of the source, either as a parody or because the artist wants to capture some essence or feeling associated with Fantastic Four # 1. Any artist who draws a picture of heroes gathering around to fight a giant monster emerging from the ground and doesn’t expect readers to think of FF # 1 is fooling himself.

Sometimes an homage can mean the writer is merely trying to be clever. I fell prey to this vice myself: In grad school, I wrote a film script that included an investigative reporter named Jack Gittes. My professor immediately caught the reference to Jake Gittes, Jack Nicholson’s character in Chinatown, and chided me for it. Why on earth, the professor asked, did I want viewers to think of Chinatown in a film about a rock ‘n’ roll band?

Sometimes the writer draws so closely from source material that an homage can be unintentional. I fell prey to this vice, too. In previous drafts of The Power Club™, my club of super-powered kids elected a new leader every month. Why? Because one of my sources of inspiration, the Legion of Super-Heroes, elected a new leader every year.

A member of my writing group pointed out, however, that electing a new leader every month seemed artificial. I agreed, so I changed it.

What purpose is served by calling a fictional country “Lieberstan”? None, as far as I can tell. The writer may have intended for the reader to think of Marvel's epic super-battles. But this association destroys the uniqueness and seriousness of the writer’s own world.  As a reader, I don’t need to associate his world with Marvel to enjoy it. In fact, the name undermines suspension of disbelief by drawing attention to the fact that this is a made-up country in a made-up story. 

Homages can be fun, but, if you use one, make sure you have a good reason for wanting the reader to associate your story with its source of inspiration.

What do you think?  Do you have unnecessary homages in your story?